Spoken word poetry in Cameroon has undergone a significant transformation over the past two decades, evolving from a niche art form to a vibrant and influential medium of expression. This evolution has been marked by the emergence of platforms, artists, and events that have nurtured and showcased the rich tapestry of Cameroon’s oral traditions.

In the mid-2000s, the spoken word scene in Cameroon began to gain momentum, largely due to the efforts of pioneers like Kathy Amfray. Collaborating with the group Ak Sang Grav, Amfray organized workshops and competitions that provided budding poets with platforms to display their craft. This period saw the rise of artists such as Stone Karim, Eben, Sadrak, Lady B, Eric Akam, Boudor, and Koppo, who became synonymous with the burgeoning spoken word movement in the country.

The growth of spoken word in Cameroon has been further bolstered by cultural institutions like the Goethe-Institute, which have played a pivotal role in promoting and supporting artists through initiatives like the Goethe Découverte. These platforms have not only elevated the art form but have also provided artists with opportunities to reach wider audiences.

One of the most prominent figures in Cameroon’s contemporary spoken word scene is Joyce Babatunde. Hailing from the North West region, Babatunde is a multidisciplinary artist whose work blends soul, rap, jazz, and spoken word, all infused with the rhythms and chants of her indigenous roots.

Babatunde’s artistic journey gained significant recognition in 2018 when she emerged as one of the laureates of the Goethe Découverte. This served as a springboard, leading to the release of several singles, including “Baby Did It,” “My Everything,” “Road to Alive,” and “Selah.” Her innovative approach culminated in the 12-track album “Kwacoco Bible,” which critics have lauded as audacious and avant-garde. Beyond her musical endeavors, Babatunde is celebrated for her compelling spoken word performances. Her piece “Blinding Clarity,” released in April 2020, exemplifies her ability to weave profound narratives that resonate deeply with audiences. Babatunde’s contributions have not gone unnoticed. In 2019, she was honored with awards for Best Female Artist and Best Spoken Word Act at the New Breed Africa Celebrity Awards.  Her dedication to her craft and her unique fusion of genres have solidified her status as a leading voice in Cameroon’s artistic landscape.

The rise of artists like Joyce Babatunde underscores the dynamic and evolving nature of Cameroon’s spoken word scene. By drawing from indigenous sounds and contemporary influences, these artists are not only preserving cultural heritage but also pushing the boundaries of artistic expression. Their work reflects the complexities of Cameroonian society, addressing themes that resonate both locally and globally.

In essence, the spoken word movement in Cameroon, exemplified by talents like Babatunde and lydol continues to thrive, offering a powerful platform for storytelling, cultural preservation, and social commentary.

Grazia ONGUENE